v0.2 05/06/2017 - starting enrichemnent for Manifestations - change in of type of several properties controlled by controlled vocabularies v0.2.1 Beta - test de gestion des vocabulaires contrôlés et propriétés avec valeur contrôlées - - import de l'ontologie SKOS - M4 devient le range de la propriété U11_has_Key - M4 est déclarée sous classe de skos:Concept - key est déclaré comme instance de la classe skos:ConceptScheme - M4 est déclarée comme equivalent au skos:ConceptScheme key Si l'utilisateur de l'ontologie n'utilise pas de vocabulaire contrôlé, cette équivalence peut être supprimée. On peut donner une valeur litérale à l'instance de M4_Key en utilisant la propriété rdfs:label et mettre des commentaires en utilisant rdfs:comment v0.2.2 11/01/2018 - enrichissements de classes et propriétés - voir tableau des nouvelles classes et propriétés pour le détail v0.2.3 08/04/2018 - voir tableau des nouvelles classes et propriétés pour le détail v0.2.4 14/05/2018 - diverses corrections v0.2.5 16/05/2018 - diverses corrections v0.2.6 04/07/2018 - diverses corrections selon tableau des nouvelles classes et propriétés v0.2.7 05/07/2018 - diverses corrections selon tableau des nouvelles classes et propriétés v0.2.9 09/07/2018 - changement du label FR de la classe M37
DOREMUS is an extension of the FRBRoo model for describing the music.
CLU198i should be container of
CLU197_should_have_binding
CLU197i should be binding of
CLU198 should have container
CLU206 should have media type
CLU206i should be media type of
CLU207 should have carrier type
CLU207i should be carrier type of
CLU210 should have pagination
CLU210i should be pagination of
CLU217 should have playing speed
CLU217i should be playing speed of
CLU223 should have number of tape tracks
U223i should be number of tape tracks of
CLU53 should have duration
CLU53i should be duration of
U187i is multipart monograph statement of
U189i is main series statement of
U11 has key
U11i is key of
U12 has genre
U12i is genre of
U13 has casting
U13i is casting of
U14 has tempo
U14i is tempo of
U167 has title proper
U167i is title proper of
U168 has parallel title
U168i is parallel title of
U169 was issued under label name
U16 has catalogue statement
U16i is catalogue statement of
U170 has title statement
U170i is title statement of
U171 has parallel title statement
U171i is parallel title statement of
U172 has statement of responsibility relating to title
U172i is statement of responsibility relating to title of
U173 has parallel statement of responsibility relating to title
U173i is parallel statement of responsibility relating to title of
U174 has cast statement
U174i is cast statement of
U175 has parallel cast statement
U175i is parallel cast statement of
U176 has edition statement
U176i is edition statement of
U177 has parallel edition statement
U177i is parallel edition statement of
U178 has statement of responsibility relating to edition
U178i is statement of responsibility relating to edition of
U179 has parallel statement of responsibility relating to edition
U179i is parallel statement of responsibility relating to edition of
U17 has opus statement
U17i is opus statement of
U180 has additional edition statement
U180i is additional edition statement of
U181 has parallel additional edition statement
U181i is parallel additional edition statement of
U182 has music format statement
U182i is music format statement of
U183 has parallel music format statement
U183i is parallel music format statement of
U184 has publication statement
U184i is publication statement of
U185 has distribution statement
U185i is distribution statement of
U186 has printing or manufacture statement
U186i is printing or manufacture statement of
U187 has multipart monograph statement
U188 has series statement
U188i is series statement of
U189 has main series statement
U18 has rhythmic pattern
U18i is rhythmic pattern of
U191 used equalization technique
U191i was technique of equalization
U192 used noise reduction technique
U192i was technique of noise reduction
U195 has order or location indication
U197 has binding
U197i is binding of
U198 has container
U19 is categorized as
U19i categorizes
U1 instrument ou voix utilisé pour la performance
U1 used medium of performance
U1i medium of performance was used in
U206 has media type
U206i is media type of
U207 has carrier type
U20 has music group formation
U20i is music group formation of
U210 has pagination
U210i is pagination of
U214 has colour content
U217 has playing speed
U218 used object of type for mastering
U219 used object of type for mixing
U21 is about actor
U21i actor is subject of
U220 has title and statement of responsibility
U220i is title and statement of responsibility of
U221 has title proper of series
U221i is title proper of series of
U222 has title proper of sub-series
U222i is title proper of sub-series of
U223 has number of tape tracks
U223i is number of tape tracks of
U224 has title proper of multipart monograph
U224i is title proper of multipart monograph of
U225 used number of sound channels
U225i was sound spatialization technique of
U227 has content type
U229 has music format
U22 is about place
U22i place is subject of
U23 has casting detail
U23i is casting detail of
U24 has award
U24i is award of
U25 has scale
U25i is scale of
U26 has maintained
U26i was maintained by
U27 performed character
U27i character was performed by
scope note: this property allows for describing the tessitura of a character, as can be drawn from the score.
U28 has ambitus
U28i is ambitus of
U29 edited
U29i was edited by
U2 foresees use of medium of performance
U2 instrument ou voix prévu pour la performance
U2i est le type d'instrument ou de voix prévu pour
U2i is foreseen type of medium of performance in
U31 had function
U31i was function of
U32 had responsibility
U32i was responsibility of
U33 has set of characters
U33i is set of characters of
U34 foresees character
U34i is foreseen character of
U35 foresees function
U35i is foreseen function of
U36 foresees responsibility
U36i is foreseen responsibility of
U37 foresees performing character
U37i is foreseen character in
U38 a pour expression descriptive
U38 has descriptive expression
U38i is descriptive expression of
U39 has tuned
U39i was tuned by
U3i est le type d'objet spécifique prévu pour
U3i is foreseen specific medium of performance in
U40 has catalogue name
U40i is catalogue name of
U44 has dedication statement
U44i is dedication statement of
U45 a pour indication métronomique
U45 has metronome indication
U45i is metronome indication of
U46 occurred in context
U46i was context of
U47 has derivation type
U47i is derivation type of
personne ou groupe pour lequel l'Expression a été créée.
U49 created for actor
U49i actor motivated
U4 a pour édition princeps
U4 had princeps publication
U4i was princeps publication of
U51 is partial or full recording of
U51i has partial or full recording
U52 has context
U52i is context of
U53 has duration
U53i is duration of
U54 is performed expression of
U54i has performed expression
U55 incorporates performed expression
U55i performed expression is incorporated in
U56 occurred in historical context
U56i was historical context of
U57 occurred in religious context
U57i was religious context of
U58 has full published recording
U58i is full published recording of
U59 has partial published recording
U59i is partial published recording of
U5 a une première
U5 had premiere
U5i was premiere of
U60 occurred in cultural context
U60i was cultural context of
U61 occurred in geographical context
U61i was geographical context of
U62 has form
U62i is form of
U63 has religious context
U63i is religious context of
U64 has cultural context
U64i is cultural context of
U65 has geographical context
U65i is geographical context of
U66 has historical context
U66i is historical context of
U6 foresees actor
U6i is foreseen actor of
U73 is derivative of
U73i has derivative
U74 cited
U74i was cited by
U75 has harmonic structure
U75i is harmonic structure of
U77 foresees performing plan
U77i is foreseen plan in
U7 foresees place at
U7i is foreseen place of
U81 had performer status
U81i is performer status of
U82 has foreseen performer status
U82i is foreseen performer status of
U87 has member casting detail
m.o.p section as foreseen by the composer, performer or programmer.
U87i is member casting detail of
U88 has medium of performance section
U88i is member of performance section of
U89 occured in performance conditions
U8 foresees time-span
U8i is foreseen time-span of
U90 foresees creation or performance mode
U90i were performance conditions of
U91 put into effect
U91i was put into effect through
U92 foresees to put into effect
U92 is foreseen to be put into effect through
U93 is realised in
U93 realises
U93 has work type
U94i is work type of
U95 has hierarchical level
U95 is hierarchical leval of
U96 foresees vocal or instrumental technique
U96i is foreseen vocal or instrumental technique of
U10 has order number
U15 has history
U193 used historical instruments
U194 has system requirements
U199 has sponsor
U200 has supplementary content
U201 has illustrative content
U202 has colour details
U203 has summary or abstract
U204 has reproduction note
U205 has cast detail
U208 has extent of carrier
U211 has composition of material
U212 has technical features
U213 has recording method
U215 has groove caracteristics
U216 has tape configuration
U226 has responsibility detail
U226 has other distinguishing characteristic of expression
U30 foresees quantity of medium of performance
U41 has catalogue number
U42 has opus number
U43 has opus subnumber
U48 foresees quantity of actors
U50 Has annotation
U67 a pour sous-titre
U67 has subtitle
U68 a pour variante de titre
U68 has variant title
U69 a pour numéro de WoO
U69 has WoO number
U70 a pour titre originel
U70 has original title
U71 a pour titre uniforme
U71 has uniform title
U72 has title note
U76 has WoO subnumber
La durée éditeur n'est pas "mesurée" mais "estimée"
U78 durée estimée
U78 estimated duration
U79 has lowest pitch
U80 has highest pitch
U9 has quantity
M10 Catalogue Name
M10 Nom de catalogue
M11 Catalogue Number
M11 Numéro de catalogue
M12 Numéro d'opus
M12 Opus Number
M13 Opus Subnumber
M13 Sous-numéro d'opus
M14 Distribution instrumentale ou vocale
M14 Medium of performance
M154 Label name
M154 Nom du libellé
M155 Cast statement
M156 Title statement
M157 Statement of responsibility
M158 Title and statement of responsability
M159 Edition statement
M15 Dedication Statement
M15 Mention de dédicace
M160 Publication statement
M161 Distribution statement
M162 Series statement
M163 Music format statement
M164 Multipart monograph statement
M165 Title proper of series
M165 Titre propre de la série
M166 Title proper of multipart monograph
M166 Titre propre de monographie multipartie
M167 Fragment d'expression de publication
M167 Publication expression fragment
M168 Media type
M168 Type de média
M169 Carrier type
M169 Type de support
M16 Maintenance
M170 Binding
M170 Reliure
M171 Container
M172 Colour content
M172 Couleur du contenu
M173 Playing speed
M173 Vitesse de lecture
M174 Content type
M174 Type de contenu
M175 Format musical
M175 Music format
Examples: …explosante-fixe… (F22) P1 is identified by F50 Controlled Access Point R8 consists of M17 Controlled Access Point Creator { Boulez, Pierre (1925, …) } and R8 consists of M18 Controlled Access Point Denomination R8 consists of F12 Nomen { …explosante-fixe… }
Scope note: Sous-classe de F50 Controlled Access Point, cette classe en reprend les caractéristiques, limitées au « créateur » de l’œuvre.
M17 Controlled Access Point Creator
M17 Point d'accès contrôlé créateur
Scope note: Sous-classe de F50 Controlled Access Point, cette classe en reprend les caractéristiques, limitées à la « dénomination » de l’œuvre. La dénomination peut être un titre significatif (« Le Sacre du Printemps »), ou un titre composé (« Sonates. Piano. Opus 27 no 2. Do dièse mineur.”)
M18 Controlled Access Point Denomination
M18 Point d'accès contrôlé dénomination
M19 Style
Exemples : La cantate Ich habe genug de JS Bach [BWV 82] (F22) est identifiée par (M1 Catalogue p3 has note E62 String) BWV 82 La cantate Ich habe genug de JS Bach [BWV 82] (F22) est identifiée par (M1 Catalogue p106 is composed of M10 Catalogue Name) BWV et (M1 Catalogue p106 is composed of Catalogue Number) 82. Komm, Gott Schöpfer, heiliger Geist. No 1 de JS Bach [BWV deest] (F22) est identifiée par (M1 Catalogue p3 has note E62 String) BWV deest. Duncan Gray [WoO 156, no 2] de Beethoven (F22) est identifiée par (M1 Catalogue p106 is composed of M10 Catalogue Name) WoO et (M1 Catalogue p106 is composed of Catalogue Number) 156, no 2. La Sonate pour Clavier en Ut majeur de Wilhelm Friedemann Bach identifiée BR A1 par le catalogue Bach Repertorium et identifiée F200 par le catalogue Fasch (F22) : est identifiée par (M1 Catalogue p106 is composed of M10 Catalogue Name) BR et (M1 Catalogue p106 is composed of Catalogue Number) A1, et est identifiée par (M1 Catalogue p106 is composed of M10 Catalogue Name) F et (M1 Catalogue p106 is composed of Catalogue Number) 200.
Scope Note: Cette classe permet de décrire, lorsqu’elles existent, les références de catalogue de l’œuvre musicale. Par catalogue, on comprend tous les catalogues thématiques à proprement parler (donc à l’exclusion des numéros d’opus) ainsi que les classifications spécifiques telles que WoO ou Anh. Selon le niveau de granularité initial, elle est décrite par une simple chaîne de caractères, ou par les objets symboliques M10 Catalogue Name et M11 Catalogue Number qui la composent. La classe M10 Catalogue Name peut-être documentée via la propriété p70i is documented in.
M1 Catalogue Statement
M1 Mention de catalogue
M20 Music Group Formation
M20 Type de formation musicale ou vocale
M21 Harmonic Structure
M21 Structure Harmonique
M22 Form
M22 Forme
Examples: La Sonate pour piano opus 27, no 2 de Beethoven (F22) U13 has intended casting M6 Intended Casting U23 has casting detail M23 Casting Detail U1 has intended medium of performance M35 Cast Medium of Performance U39 has medium of performance M14 Medium of Performance { piano } and P90 has value { 1 }.
Scope note: Cette classe décrit un détail de la distribution prévue par le compositeur, par exemple une sonate pour violon et piano est décrite par deux « composantes » M23 qui sont le violon et le piano. Elle est donc obligatoirement associée à la classe M6 Intended Casting dont elle détaille les composantes. Ces composantes comprennent notamment le ou les medium of performance prévus par le compositeur, l’éventuel rôle soliste du medium of performance, le personnage interprété (par exemple dans un opéra), la tessiture précise.
M23 Casting Detail
M23 Détail de la distribution
M24 Piste
M24 Track
M25 Activité prévisionnelle
M25 Foreseen Activity
M26 Foreseen Performance
M26 Performance prévisionnelle
M27 Foreseen Individual Performance
M27 Performance individuelle prévisionnelle
M28 Individual Performance
M28 Performance individuelle
M29 Editing
M29 Post-production
M2 Mention d'opus
M2 Opus Statement
M30 Ambitus
M31 Actor's Function
M31 Fonction de l'agent
M32 Actor's Responsibility
M32 Responsabilité de l'agent
M33 Ensemble de personnages
M33 Set of Characters
M34 Attribution de récompense
M34 Award Assignment
M35 Attribution d'Expression publicationnelle représentative
M35 Representative Publication Assignment
M36 Award
M36 Récompense
M37 Echelle Musicale
M37 Music Scale
M38 Figure Rythmique
M38 Rhythmic Pattern
M39 Attribution de type de dérivation
M39 Derivation Type Assignment
M3 Numéro d'ordre
M3 Order Number
M40 Context
M40 Contexte
M41 Indication Métronomique
M41 Metronome Indication
M42 Création d'Expression interprétée
M42 Performed Expression Creation
M43 Expression interprétée
M43 Performed Expression
M44 Oeuvre interprétée
M44 Performed Work
M45 Attribution d'Expression Descriptive
M45 Descriptive Expression Assignment
Scope Note : ensemble des pistes constituant un enregistrement publié.
M46 Ensemble de Pistes
M46 Set of Tracks
M47 Numéro de WoO
M47 WoO Number
M48 WoO Subnumber
WoO sous-numéro
M49 Performer status
M49 Statut de l'interprète
Examples: → Le Concerto pour Piano et orchestre en Si bémol majeur de Beethoven a pour tonalité si bémol majeur : F22 Self-Contained Expression u11 has key M4 Key { Si bémol Majeur }
Scope note: Cette classe décrit la tonalité de l’œuvre. Les tonalités sont souvent listées sous forme de référentiels multilingues, c’est pourquoi la classe M4 Key est liée à la classe M7 Linguistic Appellation.
M4 Key
M4 Tonalité
M50 Mode de performance
M50 Performance mode
M51 Type d'équipement d'enregistrement
M51 Type of recording equipment
M52 Equalization technique
M52 Technique d'équalisation
M53 Noise reduction technique
M53 Technique de réduction de bruit
M54 Sound spatialization technique
M54 Technique de spatialisation du son
M55 Condition de la performance
M55 Condition of performance
M57 Technique vocale ou instrumentale
M57 Vocal or instrumental technique
M58 Oeuvre de programmation
M58 Programming Work
M59 Program
M59 Programme
M5 Genre
M60 Intended audience
M60 Public visé
M61 Type d'oeuvre
M61 Work type
M62 Hierarchical level
M62 Niveau hiérarchique
Scope note: Cette classe permet de décrire les « medium of performance » d’une œuvre, c’est-à-dire les instruments, machines, exécutants autres que musiciens (danseurs, acteurs, récitants,…) pour lesquels l’œuvre a été composée. Elle décrit donc l’intention du compositeur. M6 Casting est une « classe chapeau » qui représente la globalité de la distribution instrumentale et/ou vocale. Le détail de cette distribution est décrit via la classe M23 Casting Detail. Dans le cas de versions alternatives, on donnera deux M6 Casting différents pour la même expression.
M6 Casting
M6 Distribution vocale ou instrumentale
Scope note: Cette classe permet de décrire une appellation et ses composantes linguistiques. Elle comprend donc les appellations originales et les traductions de ces appellations.
M7 Appellation linguistique
M7 Linguistic Appellation
M8 Tempo
M9 Derivation Type
M9 Type de dérivation
U3 forees use of specific object
U3 utilisation prévue de l'objet spécifique
U83 has relative key
Examples: the key of 'C major' has 'A minor' as relative key
U83 a pour tonalité relative
Scope Note: Cette classe permet de connecter deux M4 Tonalité qui sont en relation par rapport à l'armure, c'est-à-dire l'une est la relatif majeur ou mineur de l'autre.
see also http://en.wikipedia.org/wiki/Relative_key
Exemples: la clé de 'Do majeur' a 'La mineur' pour tonalité relative
Scope Note: This class allows to connect two M4 Keys that are in a relative relationship, i.e. one is the relative major or minor of the other one.
Examples: the key of 'C major' has 'C minor' as parallel key
Scope Note: Cette classe permet de connecter deux M4 Tonalité qui sont en une relation parallèle, c'est-à-dire l'une est la parallèle majeur ou mineur de l'autre.
Exemples: la clé de 'Do majeur' a 'Do mineur' pour tonalité parallèle
see also http://en.wikipedia.org/wiki/Parallel_key
Scope Note: This class allows to connect two M4 Keys that are in a parallel relationship, i.e. one is the parallel major or minor of the other one.
U84 a pour tonalité parallèle
U84 has parallel key
Examples: the key of 'C major' has 'G major' and 'D minor' as closely related keys
Scope Note: This class allows to connect two M4 Keys that are mutually closely related from an harmonic point of view, e.g. they are commonly used destinations or transpositions in a modulation.
U85 a pour tonalité étroitement lié
Exemples: la clé de 'Do majeur' a 'Sol majeur' et 'Re majeur' pour tonalités étroitement liées
Scope Note: Cette classe permet de connecter deux M4 Tonalité qui sont étroitement liées d'un point de vue harmonique, par ex. ceux sont des destinations ou des transpositions fréquemment utilisées dans une modulation
see also http://en.wikipedia.org/wiki/Closely_related_key
U85 has closely related key