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  • The Media Value Chain Ontology (MVCO) is an ontology for formalizing the representation of the Media Value Chain. It couples naturally with the MPEG-21 multimedia framework, and its standardization as Part 19 of this ISO/IEC standard is underway (at the editing time of this document). @en
  • OntoMedia (Ontology for Media) has been designed to describe the interactions occurring in multimedia. @en
  • This ontology aims at providing a simple vocabulary for describing programmes. It covers brands, series (seasons), episodes, broadcast events, broadcast services, etc. @en
  • RiC-O (Records in Contexts-Ontology) is an OWL ontology for describing archival record resources. As the second part of Records in Contexts standard, it is a formal representation of Records in Contexts Conceptual Model (RiC-CM). The current official version is <html:strong>v0.2</html:strong>; it is compliant with RiC-CM v0.2 full draft, that will be published in February or March 2021, and that is slightly different from <html:a href="https://www.ica.org/sites/default/files/ric-cm-0.2_preview.pdf">RiC-CM v0.2 preview, that was published in December 2019. RiC-O provides a generic vocabulary and formal rules for creating RDF datasets (or generating them from existing archival metadata) that describe in a consistent way any kind of archival record resource. It can support publishing RDF datasets as Linked Data, querying them using SPARQL, and making inferences using the logic of the ontology. @en
  • OntoMedia (Ontology for Media) has been designed to describe the traits of entities. @en
  • This ontology, called VIR, is an extension of CIDOC-CRM created to sustain propositions on the nature of visual elements and permit these descriptions to be published on the Web. With the term visual element, we refer to those signs identified in the visual space as distinct and documentable units, and subject to an analytical interpretation. The scope of this ontology is to s to provide a framework to support the identification, annotation and interconnections between diverse visual elements and presents and assist their documentation and retrieval. Specifically, the model aims to clarify the identity and the relation of these visual signs, providing the necessary classes to characterise their constituent elements, reference, symbolic content and source of interpretation. VIR expands on key entities and properties from CIDOC-CRM, introducing new classes and relationships responding to the visual and art historical community, specifically building up on the iconographical tradition. The result is a model which differentiates between interpretation and element identified, providing a clear distinction between denotation and signification of an element. As a consequence of such distinction, the ontology allows for the definition of diverse denotative criteria for the same representation, which could change based on traditions and perspective. Visual objects can be, in fact, polysemic and ambiguous, and it is not so easy to pin down a denotative or connotative meaning because they are very much context-dependent. @en