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vocabulary.dcterms:description conceptualizing Panofsky's theory of levels of interpretation @enrdfs:comment structures that can be recognized in the layout of @en
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vocabulary.dcterms:description conceptualizing Panofsky's theory of levels of interpretation @enrdfs:comment Artistic Motifs recognized as carrier of meaning at, the first level of analysis. The N-ary structure @en
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vocabulary.dcterms:description conceptualizing Panofsky's theory of levels of interpretation @enrdfs:comment or an image to one of the (recognized) colors of @en
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vocabulary.dcterms:description conceptualizing Panofsky's theory of levels of interpretation @enrdfs:comment This relation associates to the act of Formal, the same feature of a specific visual item. @en
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vocabulary.dcterms:description conceptualizing Panofsky's theory of levels of interpretation @enrdfs:comment case of an automatic conversion of data into the ICON ontology) @en
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vocabulary.dcterms:description conceptualizing Panofsky's theory of levels of interpretation @enrdfs:comment A Composition is a jointly of ArtisticMotif, interpretation, or can explicit groupings of level 1, action "lifting" in the context of "man lifting a @en
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vocabulary.dcterms:description conceptualizing Panofsky's theory of levels of interpretation @enrdfs:comment and second level of interpretation) to the, act of Interpretation described by Panofsky (1939, meaning, (3) the iconic act of interpretation @en
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vocabulary.dcterms:description conceptualizing Panofsky's theory of levels of interpretation @enrdfs:comment ,
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vocabulary.dcterms:description conceptualizing Panofsky's theory of levels of interpretation @enrdfs:comment identified. For example, the act of hurling the, iconographies is interpreted as the act of calming the storm, as historical events (e.g. the Battle of Cascina). @en
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vocabulary.dcterms:description conceptualizing Panofsky's theory of levels of interpretation @enrdfs:comment ://vocab.getty.edu/aat/300015646> # the AAT term indicating the concept of style. @en